2A-100
Drypoint
7"x 7"
2009
Drypoint
7"x 7"
2009
Markmaking, response, and the idea of weight in proportion to scale are defining aspects of my current work. This print, the second print in the series, A-100, is one of the results of my response to the plate's previous image by methods of scraping/burnishing the plate, aquatinting, re-aquatinting, drypoint, softground, sugarlift, open bite, and other etching techniques.
5 comments:
Finally putting some sweat and muscle into your work, huh?? ;)
wow, i am impressed by how much precision -- time and concentration that must have taken
your lines create so much texture in your work. You have such patience, I am jealous.
incredible work and process, impressed.
I really like that I have no idea of the functionality of the depicted structure... or if its a structure at all. There is a definite depiction of weight, mark, and proportion and it seems to be on the cusp of what's tangible and what's abstract. Like a sort of constructed play between visual semiotics, myth, and the process of making. I really like this print.
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